TURBULENCIAS. Video-installation. Aluminium box of 1m x 40 cm., monitor and prism.

 

One of the virtues of the video, undoubtedly inherited from the cinema, is to succeed in making the audience immerse in a space governed by its own space-time laws. That is way when defining the construction of her self-portrait, Gabriela Golder, cannot but violate the rules of the genre. We are not here in the presence of a story the artist tells about herself, not even before a physiognomic construction. Rather, we are present, as voyeurs, at the free flow of a series of water images that seem to tell of inner perceptions or moods. Reflexes, transparencies and crystals that move at different rhythms on a screen presented to us like a surface incapable of stopping the time. Because this is how the video works. But curiously, portraits, in the tradition of the painting and the photography, have always been introduced as a way of freezing the time in one instant. But, it is known, in video that interruption is impossible because the flow of time is its essence. Thus, it is very interesting the way Gabriela Golder joins that characteristic with an evanescent way of describing herself. A welcoming image that becomes slightly disturbing tells certain basic irresolution attributed and it acquires dynamics of kaleidoscope. If the mirror is the symbolic surface where the world has been represented, and also the being, the screen in this case will work as the specular space that helps in the construction of the identity from a point of view that is ungraspable and at the same time plural.

Ana Maria Battistozzi. (for the catalogue of AUTORRETRATO. Centro Cultural Borges. March 2001)